No, though there is not much stuff that is new, there is still new stuff. So, is this a carbon copy of "Siren song of the counter culture" then? Nice guitar melodies, accompanied by a rythm section that drives forward. As one is used to with Rise Against, the songs are sometimes a bit simple, but VERY effective. Which means the topics are political as well as society issues, but also personal expiriences turned into songs.Īt first, it really seems that there are no real changes. He is by no means afraid to point the finger at stuff he thinks goes wrong or sucks. It's clear that Tim McIlrath stays with the usual topics as well. Maybe even more than all Rise Against songs did before. The song is straight forward, has a driving beat, and animates to sing along. The opener "Chamber the cartridge" proves that the band stayed true to their previous efforts and style, that's for sure. And as I absolutely love Siren Song, this album has some quite large footprints to fill out for me.
This is the second major release of Rise Against after they signed with the major label Geffen (sub-label of Universal) for "Siren Song of the Counterculture". It's called "The Sufferer & the Witness" and brings the dedicated listener 13 brand new tracks from the Chicago-based Punk/Hardcore band. See More Your browser does not support the audio element.
So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through. Essentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals. This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. As such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics. After all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing.
The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture.
Rise against the sufferer and the witness album cover hd download#
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